Event Details
Global Objects: Toward a Connected Art History builds upon the analysis and interpretation of a wide range of functional aesthetic objects made across a broad temporal and geographic spectrum to broaden our understanding of an interconnected history of art. Eschewing traditional binaries of East vs. West or Fine Art vs Decorative Art, and transcending the tendency for medium specific analysis, this volume examines the production, consumption, circulation, and meanings of objects made from clay, fiber, wood, and non-ferrous base metals, particularly in the period 800-1800. The talk will talk about the structure of the book and how it relates to the author's pedagogy regarding material literacy.