V Yeh (b. 1996, USA) received his BA of Medicine, Science, and the Humanities from Johns Hopkins University, and MFA in Painting and Printmaking at the Yale School of Art. He is an artist whose practice/praxis is in dialogue with science, medicine, and the visual and performance arts. His multimodal work grapples with normativity, artificial delineations—both scientific and cultural—and the material reality of specific bodyminds.

Yan Zhou (b. Beijing) received his BFA in Visual Communication from the School of Design at China Central Academy of Fine Arts, and his MFA from the School of the Art Institute of Chicago. Yan Zhou’s practice explores issues of interrelationality and codependency between individuals and collectives. He spots on the minutiae of things, approaching the forgotten realms of causality through various methods, carefully weaving these remnants. He works in a variety of media from video installations and gaming to artist books. His works have been exhibited at various international venues and programs.

Iris Long is a writer and independent curator with a research focus on megastructures of science and technology in China, the psycho-geography of techno-science, as well as plural cosmologies. She’s also a 2022-2023 Berggruen Fellow and a Swissnex Fellow. She has curated/co-curated exhibitions around art, science, and technology, such as “Lying Sophia and Mocking Alexa” (Hyundai Blue Prize), “Blue Cables in Venetian Watercourse” (PSA Emerging Curator’s Program), the third Today Art Museum “Future of Today” Biennial, and the art & tech sector of the inaugural Beijing Art Biennial, “Earth Heat Flow: the Visitor Who Returns to Solar Time”.